Showing posts with label short fiction. Show all posts
Showing posts with label short fiction. Show all posts

Wednesday, November 25, 2009

Nocturnes


Nocturnes
by John Connolly
2006
471 pages
ISBN: 978-1-4165-3460-0

My previous experience with John Connolly's work has been nothing short of delightful. The Book of Lost Things is a wonderfully dark and chilling interpretation of the stories from our childhood. His recent offering, The Gates is a fresh and funny story about a young boy literally trying to stop all hell from breaking loose. While both of these books have been classified as "young adult," I imagine that is largely (solely) due to their pre-teen protagonists. (You would think that the idea that only children can enjoy books about children would have been blown out of the water by a certain wizard.) I think that neither of these is best suited to the younger set, and will continue to recommend both left and right to adult readers. In a recent review on LibraryThing, I compared the footnotes and humor in The Gates to the work of the late great Douglas Adams... and anyone who's read my notes on And Another Thing... knows that I consider that high praise indeed.

With that in mind, imagine my delight to find Nocturnes, Connolly's book of short stories, sitting all alone on the "Last Chance" super bargain table at Barnes and Noble when I walked in, on my birthday, gift cards blazing and on a mission to make up for months of serious book-buying restraint.

Nocturnes turned out not to be at all what I expected. It is as different from The Gates and The Book of Lost Things as the two are from each other, but also nearly as wonderful. The stories here are darker by far than I expected to encounter, but most are also quite gripping.

Many of the pieces here in this collection were originally written for BBC radio, and most are quite short. While some of these shorter pieces are particular gems, including "Mr. Pettinger's Daemon," "The New Daughter" and "Miss Froom, Vampire," others are less successful. Connolly shines most when he gives himself some room to work. The opening novella, "The Cancer Cowboy Rides" is one of the most deeply creepy pieces of writing I've read in some time. As in, I can't put it down even though it's 1:30am, better go check the locks, cuddle a little closer to the sleeping fiancee creepy. It's good stuff. "The Underbury Witches" was so much fun that I sat in the waiting room at the spa long long after my toenails were dry in order to finish it. "The Reflecting Eye" a novella featuring Charlie Parker (who apparently stars in many of Connolly's adult fiction), is entertaining enough that I found myself considering the idea of adding some of those to the ever growing TBR pile.

Overall, this collection is strong, if a little uneven. And it is not just the Maine setting of several of these stories that calls to mind the shorter works of Stephen King. I would say of Connolly's work here something very similar to what I've said about King's short fiction in the past (and I admit that I am an enthusiastic fan)... When he hits the nail on the head, it's glorious, creepy, you'll-be-thinking-about-it-for-days, eerie wonderfulness. And when he misses, he just misses, so it's still a good time. Overall, this is more fun than I've had off the bargain table in a while.

Wednesday, July 23, 2008

Everything's Eventual

Everything's Eventual
Stephen King
7/18/2008-7/20/2008
LT Rating: 4 stars

LT Review:
I very much enjoyed this collection of short stories by Stephen King. While some of the stories fall clearly within the realm of his reputation as a king of things that go bump in the night, others are more literary, and there are pieces in both categories that really shine.

The best of the bunch: "The Road Virus Heads North" was deeply creepy, and kept me awake and a little antsy for a good bit after I finished it. "The Little Sisters of Eluria" is a great little slice from the life of Roland, of Dark Tower fame, and makes this collection worth picking up for DT series fans. 'Everything's Eventual" is dark, complex, and simply excellent. "Riding the Bullet" is compelling, honest, and somehow finds a balance between feeling driven by a sense of love and feeling driven by a sense of dread.

There really weren't any stories in this collection that I didn't enjoy, although I think that "Luckey Quarter" was the weakest of the set.

Overall, an excellent collection. King says in the introduction that he mourns the short story as a dying art form, (something that he will claim with greater passion in his introduction to The Best American Short Stories: 2007.) With this collection, he laid a powerful reminder in front of me that the genre is a rich a lovely one. I certainly hope that the prognosis is not so bad as it may seem.

Maggie specific thoughts:
My thoughts on my new Stephen King habit are all included in the post for Four Past Midnight. Go find them there